Showing posts with label arrow. Show all posts
Showing posts with label arrow. Show all posts

Friday, July 24, 2015

The Boxing Glove Arrow: The Most Absurd Killing Machine Ever Devised

 
 
There’s a generally accepted rule in superhero books where in the titular hero does his or her level best not to kill their chief antagonists or the armies of thugs sent against them.  It’s a very loose rule, more of a suggestion most of the time, however it exists.  It’s from this rule that the Green Arrow developed a quiver full of trick arrows, most famously-the BOXING GLOVE ARROW (BGA).
Not since the batarang has there been a more captivating projectile spawned from the pages of DC Comics with countless attempts to develop it in real life, with myself being one of those budding entrepreneurs.  Seriously I have plans, and if I can ever find a viable market for functioning trick arrows, I may just be a millionaire.  Or not.
 
Anyway, the question today isn’t “can a boxing glove arrow be developed”, but rather “would it be functional.”  When CW’s “The Arrow” series aired, it seemed pretty cut and dry, but then in Season 3, the episode “Guilty” featured the boxing glove arrow in probably the most practical way possible.  Take a look:
                                         
Let’s break this scene down and take a look at the factors.
 
1)      The Distance: Oliver stands maybe ten to fifteen feet away from Ted when he fires at him.  Most bows commercially available have a range that can be measured in double digit yards.  For instance, the bow I use has a range of about forty yards before physics turns against me.  Oliver uses the close distance to his advantage.
 
2)      The Bow: Take a close look at the bow.  Oliver draws the string back to its maximum, and for that kind of bow, that would make it an effective killing machine past my own 40 yard limitation.  A more skilled and experienced archer than I would make that weapon effective probably up to 80-100 yards.
 
3)      The Target: Ted Grant is an experienced fighter and has conditioned his body, either directly or indirectly, to take a severe beating.  He’s struck in the forehead area and knocked on his back, but why? 
 
4)      The Projectile: This is where the first three factors come together to make it work.  An arrow is a very balanced instrument.  As the bow arms snap forward, it imparts energy through the string, into the arrow causing it to launch forward.  The arrow needs to be balanced and aerodynamic in order to fly in a straight direction and inflict the maximum amount of damage possible on the intended target.  But look at how the BGA dips in flight, striking Ted with the knuckles of the glove rather than straight on with the “fingers”.  Well, this is good because the padding in that glove is insufficient to stop a hunting tipped arrow if the flight pattern goes uninterrupted.  Energy is lost as the arrow begins to tumble; where in the weight of the front causes it to flip in air.  The arrow has a boxing glove attached to it, it’s going to tumble, that’s inevitable, but Oliver uses the close proximity to his advantage.  He’s far enough away that the arrow will start to tumble thus preventing the arrowhead from tearing through the glove and into Ted’s face.  He’s close enough that the tumbling effect is reduced and more energy is put behind the glove causing the effect he desires…to punch someone from far away.
A similar effect can be achieved by putting a tennis ball on the end of a commercially purchased arrow.  The arrow will tumble, but if you are close enough you will still hit your target.  But is it safe?
Hell no.  Let me elaborate.  You have a significant amount of energy put into a relatively small space, namely the arrowhead.  If you drop a target practice arrow, which is typically blunt, on your foot point down, it won’t penetrate.  It doesn’t have enough force.  However, knock that arrow out of a bow, and it’s going to punch through your foot.  The force imparted on the arrow creates heavier pounds per square inch.
Let’s put that into perspective: Look at how a hammer affects a nail.  If you take a hammer and slam it down onto a board, you’re going to dent the board in an impact area similar to the head of said hammer.  However, if you set up a nail and strike the head of the nail with the hammer, the force is imparted from the hammer to the nail, driving it through the board because that nail has a much narrower surface area.  The same principle applies to the BGA, but in reverse.
The force of Oliver’s arrow is distributed through a greater surface area, the glove.  However if that bow has enough strength to launch an arrow 80-100 yards with lethal velocity, distributing it across the surface of the glove won’t be sufficient to negate the deadly effect.  At speed, that glove is traveling at roughly 2.5 times the fastest boxing punch recorded at 44 miles per hour (delivered by Keith Liddell circa 2014) and boxing punches as slower speeds than even that have killed people.
Now obviously in the shot above, we’re talking special effects and professional stuntmen to ensure no one is actually harmed, because they all understand that punching someone in the face with a fist moving at 110 miles per hour is a bad idea.
So what does that mean for the future of non-lethal bow fired ordinances?  Well for starters there really is no such thing as “non-lethal”.  Despite how sturdy humans are, if it inflicts damage in anyway, it carries the ability to kill you.  Pepper spray, tasers, stun guns, bean bag shot, air powered projectiles (BB’s), even propelled water has the ability, under the right circumstances, to end a life.  Further, with all the afore mentioned methods, there’s not much of a market outside of novelty and entertainment for trick arrows as it is.  I’ve worked in law enforcement for about 15 years now and not once have I ever heard an officer say “Man, I just wish I had a compound bow instead of this semi-automatic.”
But in the long run, that’s okay.  The BGA is an awesome tool that always gets a cheer when it’s deployed by everyone’s favorite emerald archer because it’s just so absurd and now you know why it’s always effective.
Thanks for reading.

Thursday, April 16, 2015

Does DC Hate their Fans?


Probably one of the worst things any company, any agency can do is under-utilize it’s assets.  That is why I have dim predictions for Warner Bros./DC Comics future film ventures.

It starts with their announcement that they will be producing a Justice League film set to debut (in it’s first installment) in 2017.  Here is my concern; Since last year DC Comics, via the CW Network, has been producing rock solid live action adaptations for their characters, and while this practice started with Arrow, it really lifted off the ground and gained altitude with the Flash, starring Grant Gustin.  His portrayal of the Scarlet Speedster lends a level of credibility to the shared TV universe as well as a believability to the idea of a man who can run faster than the speed of sound.  Grant has quickly come raced (pun intended) forward as a fan favorite, and easily won the honor of being the definitive portrayal of Barry Allen.

Coupled with that, CW DC will be expanding its universe by including a third spin off series featuring Hawkgirl, standing alongside already established heroes as the Atom, Black Canary, Wild Cat, and Arsenal.  CBS, by way of Warner Bros. television has picked up Supergirl, who is being produced by many of the same people who already brought us the CW DC, so many that, while plans for a cross over aren’t set in stone, they are still open to the idea, so for arguments sake, let’s say they are in the same shared universe.

So to do a quick recap, we have: Arrow, Flash, Black Canary, Atom, Supergirl, Hawkgirl, Wild Cat, Firestorm, Arsenal, soon Vixen, and a slew of villains in the CW DC.

In the shared film universe we have Superman, Batman, Wonder Woman, Aquaman, and Cyborg.

We already have a Justice League.  Yet WB is apparently going for a separation between the TV Universe and the Movie Universe with the diverging point being the Flash, who in the Movie Universe is slated to be played by Ezra Miller.

This is where my head hit the desk.  Why, why would you not cast the guy who brought a new generation of fans to the character?  These fans want to give you their money, let them see their familiar face on the big screen with a stupidly huge budget!

I can’t talk about DC’s movie ventures without at least addressing the ridiculous success of Marvel’s current projects.  Why are Marvel’s projects so successful while DC’s have been, shall we say less than fortuitous?  Because Marvel wants to bring the best possible product to the table, they want to bring a story that is engaging to fans of all ages.  Man of Steel caught a lot of flak because they went for a dark and grittier Superman origin.  While that was not necessary in the least, I can appreciate them trying to bring the Superman mythos into the 21st century.  Who else did they try to make dark and gritty?  Green Arrow.  They called him “Arrow”, made him talk like he needed a cough drop something fierce, and let him kill people.  And the fans did not like this.  While there was enough support to keep the show going, they eventually had to change the tone of the show.  They did this by dropping the “he kills people angle” and with the introduction of the Flash allowed stories to get a little lighter.  Not too much lighter, but a little.  Shared character Felicity Smoak in the Flash episode “All Star Team Up” even commented that “Central City was the fun city, while Starling was the serious one.”

So where is this rant going?  Well, I can appreciate the desire to step things up for the block buster films WB is planning, I don’t think they should ignore what they are doing on the small screen.  Tone Superman down, make him a little lighter, let the colors of the character pop, visually and figuratively.  Batman can still be dark and gritty, and still share the same universe as Superman.  I think that will ease a lot of fans who honestly want to bring their kids to a Superman or Batman flick.

As for the divergent universes, this can be salvaged by DC’s own history.  In writing this I came to peace with the fact that TV and Movie were going to be separate.  However this can be a good thing, because every now and then DC has to have their core universe butt heads with an alternate one and call it “Crisis”.  You have established two Flashes, a character that can move so fast he can alter time or, in some cases, pop straight out of his own universe into another.  Play on that.  Let that be your big cinematic moment.  Marvel will ramp things up to Civil War, and that’s what Marvel does.  They keep you grounded in politics that happen to involve super heroes.  Let DC’s defining moment be when you rip a hole in your own continuity and their characters have to deal with the fall out of not some legislation, but their own counterparts from other universes.

I can respect DC wanting to be different from Marvel, but please follow their footsteps in one area…respect your fans.